9/3/2023 0 Comments Valentina lisitsaAre you not afraid of losing the audience? If it is switched off, a man, whether he is famous and talented, suddenly disappears from the information field. I came to Donetsk from Berlin, then will fly to Canada, but my family and my people are on this land.ĪK & DS – Back in the 90s it was noticed that, despite all the ‘freedom of speech’, there is a secret switch in the West. If anything, I have a home here and I can always come back. I feel how they need music I do not think how much is dangerous here and how the West will look at me. Everything was tried to be taken away from them, with blood. Here are our roots, our civilisation to which the people, who are listening to me here, belong to. In Donetsk I play Prokofiev, he was born here. When I played here for the first time I realised that the music is not just for pleasure, not some nice, elitist thing for people who have everything. And it turned out to be a very powerful weapon. I am a pianist, my only weapon is my music. What happened in the Donbass and, fortunately, did not happen in the Crimea … I wanted to support the people. I looked in horror at what happened there and realised that there is no return to the past. Odessa was a disaster for me, because my roots are from Odessa. I felt sorry for the young people at the last Maidan as they believed in the bright future while I had experienced it already and knew everything. We had such independence… Then that generation realised that it was deceived and all of them left. I used to speak Mova and run around in embroidered blouses. I am from the generation from the period of the Soviet Union collapse. Maidan… I was perceiving it somehow differently. Valentina Lisitsa (VL) – I have been closely watching situation from the very beginning and my heart was bleeding. But you are here for the second time already. And it is somehow sad that so few musicians and actors come here to support the people of the Donbass, they can be counted on the fingers of one hand. ‘I used to run around in embroidered blouses too’ĪK & DS – We have been performing here since the very beginning – since March 2014. Before her performance in Donetsk we popped in to her rehearsal. Tickets to her concerts sold out in a few hours. She, despite risking to become a ‘persona non grata’ in her professional circles, comes again and again to perform in the war-torn land. Her support of the Donbass caused her many serious scandals, broke relationships with friends and colleagues both in the Ukraine, where she comes from, and in Europe. And not only for her professional qualities, but for her position which she persistently, not in a western way, stands for. Special correspondents of KP Alexander Kots ( AK) and Dmitry Steshin ( DS) spoke with the famous pianist before her concert in Donetsk.Ĭlassical pianist Valentina Lisitsa is not just loved in the Donbass, she is worshipped. Lisitsa's fans will relish her return to the arena, and for newcomers, this is certainly a reasonable place to begin in sampling her wares.Translated by Alexander Fedotov / Edited by Elena Every note is in place in the final movement, "Scarbo," but especially compelling is the first movement, where the various registers of the piano emerge with unusual brilliance. Perhaps the biggest surprise on this outing is that she emerges as an impressive interpreter of Ravel's most virtuosic work, Gaspard de la Nuit. The 1908 title is technically accurate both the Rachmaninov and the Ravel works on the program come from that year, but there was nothing that motivated them in common about 1908, which was more important for Schoenberg. There isn't a great deal of individual personality in her music, although she's a charismatic figure in a general way. She's a formidable talent in Rachmaninov and other virtuoso music, leaning toward Eastern Europe. Through it all, Lisitsa has remained consistent in her music-making. She has, as of this writing, kept quiet about events in her homeland in early 2022. With this 2022 release, Lisitsa moves to the boutique label Naïve, quite a shift from her earlier semi-crossover status. Then she ran into trouble by backing the Russian annexation of Crimea in 2014 and suffered concert cancellations and a recording hiatus. She had technique to spare, but established labels had varying success in trying to exploit her celebrity. and was among the first to grasp the power of online videos. Emerging from Ukraine after the fall of the Soviet Union, she landed in the U.S. The career of pianist Valentina Lisitsa has had various twists and turns.
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